Shakespeare in chor
‘Shakespeare’ in chor. Erik Makohon, Agnieszka Bednarz-Tyran and Yelyzaveta Tereshonok at the Krakow Dance Theatre. Written by Linda Wardal, participant of the Dance Critics Residency workshop at Cricoteka.
On 6 December 2024, Kraków will again become the centre of the theatrical world and fervent debate as the 17th BOSKA KOMEDIA / DIVINE COMEDY International Theatre Festival, following this year’s provocative motto – You Are So Fucking Special – will open and captivate local and international audiences alike.
‘Shakespeare’ in chor. Erik Makohon, Agnieszka Bednarz-Tyran and Yelyzaveta Tereshonok at the Krakow Dance Theatre. Written by Linda Wardal, participant of the Dance Critics Residency workshop at Cricoteka.
‘Don Quixote 2.0’ based on Miguel de Cervantes, directed by Konrad Dworakowski of the Animation Theatre in Poznań and the Coincidentia Group in Białystok. Monika Nawrocka-Leśnik writes in the kultura.poznan.pl portal.
A unique, feminine perspective on dance takes center stage at the Poznań Opera House. For the evening performance "No One Can Hold Us Back" we have invited the renowned Irish choreographer Marguerite Donlon, who served as the ballet director of Saarländisches Staatstheater for 12 years; Anne Jung from Germany, the 2021 Dysart Prize winner for promising choreographers; and Katarzyna Kozielska, a Polish artist who has been successfully creating choreographies for prominent ballet stages worldwide for over a decade.
A musical realisation of one of the most important Polish dramas directed by Krzysztof Cicheński. Pure Gombrowicz: irony, grotesque, and absurd. A slow deformation which we perhaps fail to see at first glance. Contradictions which we try to explain to no avail.
Former TR Warsaw director Grzegorz Jarzyna visited the Lesia Ukrainka Drama Theatre in Kyiv last week. The director came to the Ukrainian capital to start negotiations on a project that will appear in the repertoire in 2025.
Joanna Lewicka, a director working in Germany and Poland, has won Germany's most important theatre prize, ‘Der Faust’. She received it for directing ‘Antigone’ at the Zwickau-Plauen Theatre.
In December, Teal House invites you to a premiere in Polish, a conference on AI in the arts and a performance in Ukrainian. The Ukrainian version of Mahamaya Electronic Devices, a performance that goes to the heart of our times and invites us to reflect on the complexities of life, identity and love.
The work of leading Polish director Maja Kleczewska, based on Adam Mickiewicz's play Dziady (Forefathers' Eve), with actors from the Frankowski Dramatic Theatre, has an anti-Russian discourse and a clear, irrevocable message for those who are still looking for the “charo russkie”. Performances will take place on 31 October at 5 and 9 pm and on 2 November at 4 and 8 pm at the Gdansk Shakespeare Theatre.
Narodowy Stary Teatr im. Heleny Modrzejewskiej
Cricoteka - Ośrodek Dokumentacji Sztuki Tadeusza Kantora
Teatr im. Juliusza Słowackiego w Krakowie
Teatr Łaźnia Nowa
Teatr im. Juliusza Słowackiego w Krakowie
Łaźnia Nowa Theater in Cracow, Cracow Festival Office
Kraków
What is this course? Exploring the relationship between body, text, voice, and movement. Participants will learn the anatomy of the human body, discover embryological patterns and try discovering new bodily sensations that can be used in everyday life or on stage.